Preview

Renoir's Luncheon of the Boating Party

Better Essays
Open Document
Open Document
1259 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Renoir's Luncheon of the Boating Party
Luncheon of the Boating Party Luncheon of the Boating Party is a European artwork painted in 1880-1881 by French Impressionist, Pierre Auguste Renoir. In traditional Impressionist style, Renoir depicted a scene from modern life and based it in a place he knew well - the Restaurant Fournaise. Chatou was one of Renoir's beloved settings and Luncheon of the Boating Party is a romanticized portrait of his friends enjoying a Sunday afternoon on the balcony of the restaurant. His intention was to take a normal scene and create a modern day party that portrayed the youth and beauty of his friends. The arrangement of Luncheon of the Boating Party represents a relatively new Impressionist movement as well as the changing character of French society due to the industrial revolution. Renoir craftily uses shape, space, color and texture to create the scene he imagined. The figures and bottles add shape to the canvas and the overlapping of bodies gives a sense of space, giving this painting world-wide recognition.
Particle-
Initially when I glanced at this portrait, I instinctively thought, “wealth.” The feel of the painting, to me, was warm and inviting, portrayed through the vibrant and crisp colors. A multitude of observations passed through my mind as I began to focus on the details of the painting. I became more aware of something deeper than that of a leisurely gathering. I noticed the mixing of the classes immediately according to the dress style, which led me to question the time frame of this picture having not known the date it was painted at the time. The gazes on the peoples’ faces, their focus, their lush surroundings, and strangely the only individual in the entire painting that was actually interacting was a woman sitting alone on the left side of the table. She is painted as if she is oblivious to her surroundings, the company, and completely absorbed in giving affection to a little wiry-haired dog that is perched on the fine linen table. And too,



Cited: Boardingham. Luncheon of the Boating Party. 30 January 2013. . Defur. Luncheon of the Boating Party. 30 January 2013. . Mancoff, Debra. Paintings by Pierre-Auguste Renoir. 30 January 2013. .

You May Also Find These Documents Helpful

  • Good Essays

    He is perhaps challenging the viewer to see more that physical beauty but rather an internal need to be desired regardless of our outer shell or weathered state. He used detail and traditional symbolism of beauty in the clothing, headdress, the red rose, the seductive corset, and the lifted chin and soft eyes. Perhaps the timeless review and contemplation of intent was in fact Massys true intent of this piece, as it has withstood the test of time as a historically famous work of art. The initial dislike for the woman drew me in. The complexity of the painting made be find aesthetic beauty, and the content itself keeps me perplexing on the possibilities of intent. It is truly a respectable and intriguing display of art and…

    • 627 Words
    • 3 Pages
    Good Essays
  • Better Essays

    The painting still receives much attention and is the base of discussion for many art lovers and historians (Mohan and Centeno, 2005). However, the very details that made the portrait so shocking nearly a century and a half ago are what now delight critics and casual viewers alike; the piece is truly remarkable in its contrasting hues and dramatic details. The lines are crisp and clean, the lighting is flattering yet dramatic, and the composition is pleasing to the eye. While these fundamental artistic components make a great contribution to the attractiveness of this painting, the subject herself deserves to be recognized as the most beautiful thing about the portrait. Gautreau’s physical beauty is often debated even today, mostly because her roman nose is considered too prominent to be classified as classically beautiful. The difference in opinion regarding Gautreau’s physical features is where most modern controversies end. It is the painting’s daring representation of Gautreau, rather, which is inarguably beautiful. The unorthodox pose, the revealing clothing, and the haughty expression were all revolutionary for the time they were presented. Sargent and Gautreau’s goal was not to challenge the societal norms of the time; in fact, their goal was the exact opposite. Inadvertently, however, the appreciation of Amelie Gautreau’s portrait one hundred and fifty years later is now a wonderful reminder of the power in breaking rules and refusing to fit into the definition of…

    • 1080 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Relic 12

    • 321 Words
    • 2 Pages

    I feel this painting is trying to communicate to the people who look at this when they think outside of the box. Showing people the women’s role in pre and post-revolutionary…

    • 321 Words
    • 2 Pages
    Good Essays
  • Good Essays

    John Wolseley

    • 641 Words
    • 3 Pages

    In this painting, the movement has a significant impact on how the viewer will see it. John has tended to control the direction of how he wanted the viewer to look at…

    • 641 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Final Project

    • 936 Words
    • 3 Pages

    In this essay I will be comparing two well-known paintings, who’s styles were both born of the French Revolution: Resting Girl (Marie-Louise O’Murphy)/Reclining Girl by François Boucher (1751) and Grande Odalisque by Jean Auguste Dominique Ingres.…

    • 936 Words
    • 3 Pages
    Good Essays
  • Good Essays

    On first look at the painting, we give our attention to the isolated woman in the middle of the work. The woman is the largest feature of the painting and is the focal point of all other elements found in the painting. The woman is portrayed as someone of great importance. The woman is clothed in a flowing white…

    • 566 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Neoclassical Art Analysis

    • 1010 Words
    • 5 Pages

    I chose to evaluate two works of art from two different time periods, one from the Baroque era and another from the Neoclassical artworks. The first piece of artwork that I chose is the "Resting Girl". This beautiful work of art was created by Francois Boucher in 1715 and is the perfect example of a late Baroque style painting which features the Rococo style. This painting is located in the Wallraf Museum in Cologne, Germany. This painting consists of oil on canvas and was the very example of applying a light romantic touch. Boucher used light and delicate colors with emphasis on the interiors which were elegant and exuded luxury.…

    • 1010 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Kehinde Wiley Analysis

    • 652 Words
    • 3 Pages

    More often than not, it shows a solitary figure, an attractive man in his 20s, enacting a scene from an old-master painting. Dressed in contemporary garb — a hooded sweatshirt, perhaps, or a Denver Broncos jersey — the man might be crossing the Swiss Alps on horseback with the brio of Napoleon or glancing upward, prophet-style, golden light encircling his head.In layman’s terms, his art is a skilled remix. He rearranges racial power dynamics, conceptions of beauty, gender, and “the gaze.” It makes us think about pop iconography and the history of portraiture” Deborah, S (2015, January 28) Kehinde Wiley Puts a Classical Spin on His Contemporary Subjects The New York…

    • 652 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Belonging in Visual Texts

    • 399 Words
    • 2 Pages

    These ideas are represented through numerous visual techniques within the photo. A salient image produced directs our attention to the lady sitting in the middle, isolated from the people around her. The salient image is produced by vector lines, that is the appearance of a circular shape or perimeter around the lady, this further influencing our idea of alienation. In addition the lady is placed in the very centre of the image drawing attention to her loneliness.…

    • 399 Words
    • 2 Pages
    Good Essays
  • Better Essays

    appleton museum

    • 1048 Words
    • 5 Pages

    I have always been drawn to photographs that capture new love and romance. I love photography in general; especially weddings and engagement photos. Vittorio Matteo Corco’s painting, “When Love is Young,” can be viewed in the Appleton’s European gallery. It is a painting that was created in 1883 and has captured the attention of its viewers over two hundred years. The painting depicts a young man and woman who are very much in love. The couple is starring deeply into each other’s eyes, as if they are falling in love for the first time. The passion that the man and woman have for each other is what initially drew me into this painting, but I then became interested in the elaborate detail that Corco added. The man photographed is probably a poor sailor. He is dressed in a grungy outfit with cut off sleeves and has dirty hands. She on the other hand, is wearing her Sunday best; a beautiful, detailed and tailored gown with silk gloves and her hair elegantly pinned back. By the way he is peeking over the balcony, I assume they are sneaking around and trying to hide that they are contacting one…

    • 1048 Words
    • 5 Pages
    Better Essays
  • Good Essays

    A simple oil painting made in 1654 on an unknown canvas medium, it is encased in a golden frame with intricate carvings that seems to resemble plant patterns. The overall artwork’s visual is mainly comprised of earth tone colors ranging in hues and shades, six people from what seems to be the lower class, excluding the dog, present in an area with rugged lands, a lake,…

    • 828 Words
    • 4 Pages
    Good Essays
  • Good Essays

    painting styles

    • 572 Words
    • 3 Pages

    Impressionism Art, unlike Neoclassical Art, is an art movement that reflected on the everyday life of an average person. Outdoor scenes of people doing normal things like shopping or playing in the park or having a picnic or party. For example, the piece of artwork by Pierre Aguste Renoir called “The Luncheon of the Boating Party” is a painting of just that. People having lunch together and conversing with each other. Impressionism started in the late 1860's and early 1870's in Paris. Artists that paint in this particular style tend to use loose rapid brushstrokes. Artists used natural colors to give a feeling…

    • 572 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Georges Seurat’s painting of “A Sunday on La Grande Jatte -1884'” depicts tranquilize people located on the island of La Grande Jatte. Looking closer into the background there are soldiers and regular looking people in the back with one typical guy with higher class people in the foreground. It like a unanimity between social class to enjoy a sunny day on a island. Looking closely into the painting there are tiny strokes of lines creating leaves on the ground and on the tree, but also everywhere creating texture. The overlapping creates space and every person are very different from each other creating variety.…

    • 630 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Impressionism was developed in Paris during the 1860s by artists who rejected the official salons and were consequently shunned by the most powerful art institutions. By turning away from dated ideals, the Impressionists aimed to capture the sensory effects of the scene – the impression objects made in an instant. In the similar way the Impressionists did, my self-portrait demonstrates short, broken strokes that convey forms. In addition, there are few, pure colors used while emphasizing the effects of light. The loose pencil strokes give an effect of spontaneity that contradicts any carefully constructed composition, much like the Impressionists. Furthermore, the two-dimensionality of my form is reminiscent of the flat figures in Impressionist…

    • 402 Words
    • 2 Pages
    Good Essays
  • Good Essays

    luncheon on grass

    • 1017 Words
    • 5 Pages

    Originally titled as Le Bain, means the bath; Luncheon on the Grass was exhibited at the Salon de Refuses in 1863. It is painted with oil on a large canvas by Édouard Manet created in between 1862 and 1863. The painting represents the contrast between a female nude with fully clothed men in a rural setting. By that time, normally woman in paintings didn’t look at viewers straight, especially with nudes. Traditionally, nude models mostly looked away from the view. But however, Manet’s naked female model straightly stares at the viewer. This was shocking, but also challenging at the same time. The Luncheon on the Grass, received a great attention by causing public scandal with nude female and painting was success through setting, color, technique, composition and light.…

    • 1017 Words
    • 5 Pages
    Good Essays

Related Topics