This home's exterior comes with terrible views of the dark gloomy skies. The house is isolated so you will always feel loneliness that will fill your bones with so much depression you will never feel happiness again. You’ll always feel safe with the metal barred windows, until you hear the high-pitched screams from your mentally insane roommates. You won’t ever be annoyed by visitors because they will be to scared to even come near you and your crazy house. Don’t you love the feeling of being sick to your stomach, because that’s the feeling you will get when you see the huge chain fence surrounding your property, so you can’t escape. This horrible home will be so bitterly horrible that you will have to spend the rest of your terrible life there.…
While it is science fiction, he is exploring the impact of technology on society. When Bradbury symbolically refers to people's houses as "The tombs ill-lit by television light where people sit like the dead" he is, similar to Gray, painting a negative image of the future of our society. Equally, he explores the impact technology has on society when we are all cocooned in our houses, on electronic device, separating us from our family and friends. "Walking through a graveyard as he walks through the street". In both of these quotes he compares people in our society to dead men, giving me pause to consider the intellectual discovery of our society being compared to the likes of the dead. This caused me to discover my now conflicting views on the direction of society; to either a utopia or a…
The novel, The Grapes of Wrath by John Steinbeck, is a classic American novel about the Great Depression. The novel is written in incalerarly chapters and is about the struggles that migrant workers faced during this time. When Steinbeck was writing his novel, he did lots of research and the struggles he writes about are from real stories. As we look closely at the chapters individually, from the syntax and diction, we are able to conclude the overall purpose of the novel. Steinbeck’s use of parallelism and diction, in chapter 5, supports his message that the farmers were against something they could not take down alone.…
Therefore by the end the house diminishes into nothing which could symbolize the death of everyone. The house by the end can have a variety of meaning just as the color blue that can symbolize a variety of emotions. In comparison to Mark Rothko’s paintings can be interpreted as a variety of things because they work as an opening for people like a tunnel giving you light to a brighter…
The house was big. It’s the typical, “seventies style” home on one of the most, “selected streets.” The house use to be, “white (1)” after the death of Emily’s father the house slowly began to fall apart. Emily’s house was the only original house left from the seventies and it had started to decay. It is a tad ironic that the outside of the house is decaying as in the room upstairs a man’s body is also decaying, this is an example as well for the Gothic setting. The fact that the author states the house used to be “white” is important due to the time period the house was built. When Emily’s father was a live the house was well kept and maintained once he passed away the house began to fall apart. As time goes on the house just begins to decay more. The “white” house is no longer “white”, the balcony is falling part. This also helps paint the picture of a Gothic setting because the house is now scary looking. The house is beginning to look “abandoned”, there is a smell of dust and “disuse- a close, dank smell (1)”. The fact that the house has a distinct smell also gives off the Gothic feel. These are examples of the Gothic setting because of the darkness created by the eeriness of the decaying structure of the building. It makes the house look like something out of a horror or supernatural…
Gray captures the feeling of human experiences in old house by emphasising the purity of death. He effectively conveys this through the repetition of ‘white’, which is symbolic for light, purity, calmness and innocence. This is evident with the…
In “Odger’s Funeral” by Henry James, the magnificent and solemn tones reflect the brilliance of the day upon which he arrived in Piccadilly, yet the seriousness of the event he arrived on. Despite the graveness of Mr. George Odger’s funeral, the James watches from a cab window and describes the event as a sort of “serious comedy”. He watches as different social classes of people gather to create a magnificent funeral for Mr. Odger, who was a useful and honorable man.…
Carvers’ choice of words set a dark mood for the story. The last sentence of paragraph one says “But it was getting dark on the inside too.” The quote foreshadows the rest of the story. By saying it was getting dark on the inside too he’s saying the house became a very negative and unhappy environment. This helps readers…
Here Marlow has become the narrator to tell his story. He uses imagery to highlight this stately building which he was about to enter. a paragraph before he went into detail about the house he made a reference to a “white sepulchre”; a reference to to empty streets and boulevards, big houses tightly shut, and a disquieting sense of turpitude. In this quote Marlow places himself standing at the far end of the road looking down and seeing nothing but grandeur houses lined up. Just looking at the first few descriptions Marlow says “innumerable windows” which would most likely symbolize a sense of isolation. He then continues with “dead silence” which would give way to believe that there is very little life happing throughout the street…
There is much symbolism associated with the house itself; the narrator describes the house at length in the beginning of the story. From the outside in, everything about it seems to be in a state of decline, disrepair or neglect, paralleling the steadily declining health of the occupants. Perhaps the most telling image is the upside-down reflection of the house on the lake, indicating that everything about the place is all wrong.…
One of the primary symbols used to describe the vapid lifestyle experience in strict societies like wall street is fittingly walls. In the course of the story, we see the idea of walls and their separation create a very dull and gray atmosphere to the story. Often describing “the dead brick wall[s]” (Melville 14) that surround the small office as letting little light in, the walls are the favorite pastime for Bartleby who often stares at them for hours on end. The walls represent the gray rigidity of society and the confines that are coupled with it. Contextually, during the period this piece was written, high rises had just begun to spring up all across urban cities and “‘buildings began to strike poses or else fall into routine’” (Dargo 3) In the story, as well as out, the walls represent the uniformity of architecture and the uniformity of ideals that enraptured society during Melville’s time. Patterns and mass production began to be viewed more important than creativity and individuality. In the story, Bartleby scrutinizes the walls. Instead of doing the menial work within the walls of society, he stares at the walls in defiance and intellectual accusation. Even in the end of the novel when Bartley finds himself in the tombs backed against a wall, he does not budge and instead stares at them until he finally…
Cited: "Allegory of the Cave - Home." Allegory Of The Cave. Web. 2 March 2013.…
Long ago, the narrator’s mother had given all her worldly possessions to a strange lady, who always took everything away with a look of greed. The narrator has come to the house with all the possessions, and it suddenly hits her that all her memories are just through the doorway. When she enters, she sees all of her possessions, “in a room which I both knew and didn’t know”. This one simple line describes how she feels, how though all her memories are in the room, they are not place in the right spot, as if the chronological placement was off, and all her memories are mixed up. “I found myself among things I had wanted to see again but which oppressed me in the strange surroundings” describes her confusion, because though everything looked normal, (similar to the way she acts as if nothing is happening) it’s the inside story of every object that is scaring her; how it has her memories imprinted in it, and yet, they are not there anymore, because this is not her house, and she does not own any of this anymore. “I scarcely dared to look around me anymore” symbolizes her fright of looking at everything she had and lost, and now they do not belong to her, though she has a slight longing for them in order to have a sense of normality. “Somewhere on the edge there should be a burn hole in which had never been repaired” this line, when read closely, depicts the hole as a sort of ledge, where her mind is clinging onto, so she may find some familiar feeling in all this strangeness. It also depicts a large bottomless pit, where she wants to throw all the bad feelings and memories away, throw them deep into this hole.…
The air stream was strong, and the wind whistled through open windows; it was the dead of night and the street looked as lifeless and forlorn as ever. The cobbles still remained unscathed, as if nobody had wanted to pace onto that territory. The dense gardens of boarded up houses lay untouched, whilst houses which were occupied had the same warmth glow that homes have, like the homes where families live in and play in their gardens for the duration of summer.…
I think the poem is just about a guy with a messy room. The only thing is that, this poem really refers to what the author is telling about his room. He also wants to tell us that we should open our…
