"Aesthetics" Essays and Research Papers

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    ............................................. 3 Color...........................................................................................3 Anthropometry........................................................................ 3-4 Aesthetics ................................................................................4-5 Materials‚ textures and finishing...............................................5 Emotional design........................................................

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    Descartes‚ Kant and Hume‚ have made a notable contribution to this branch of philosophy. Axiology Axiology is that branch of philosophy which deals with the study of value. The two values studied in axiology are as follows: Aesthetics Aesthetics deals with sense‚ perception‚ and appreciation of beauty. It broadly includes everything to do with

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    aestheticism (aesthetics). In philosophy‚ aesthetics is now and then thought to be a piece of a bigger philosophical class called Axiology. Axiology is a range of reasoning that studies values and esteems judgments. Whether millions are spent on a solitary painting or somebody says that a model is priceless‚ they are making an axiological judgment. As in ethical decisions‚ aesthetics tries to characterize the rule that make us esteem one thing over another. At its center‚ aesthetics asks what

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    Chp3

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    capture the spiritual and the sublime specify the difference between objective and subjective representation introduce the conceptual and philosophical concerns of aesthetics present how artists represent the world to preserve that which is transient‚ or to isolate and/or amplify that which they find beautiful KEY TERMS aesthetic; aesthetics genre painting‚ subjective objective‚ Surrealism Impressionism vanitas LECTURE AND DISCUSSION TOPICS 1. Themes in Art are Themes in Life This chapter introduces

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    Sublime

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    “Sublime in Aesthetics” Sublime is a Latin word which was often referred to as something that is beyond beautiful. According to other definitions‚ the word Sublime refers to “a greatness beyond all possibility of calculation‚ measurement‚ or imitation” according to one article I’ve read. The term was believed to have been used in aesthetics in the early 1550’s and was further translated and passed on to the 16th century up until the 18th century where it developed its concept as an aesthetic quality

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    Aesthetics In Citizen Kane

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    The film “Citizen Kane” used many different types of aesthetics to portray the scenes and characters in certain ways. The movie used music to help show what emotion the viewer should be getting from certain scenes. “Citizen Kane” had the characters dress in certain ways to show the differences in what their lives were like at certain points in the movie. These elements in the film help the audience contextualize what the characters are supposed to be like. The film also used different sound effects

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    discusses about Jerrold Levinson’s definition of art from Levinson’s article‚ “Refining Art Historically‚” in the Journal of Aesthetics & Art Criticism of 1990. To Levinson‚ art is something that is made to be intended to be “regarded” as a work of art (Sartwell). Luise Morton and Thomas Foster discuss Nelson Goodman’s definition of art from Languages of Art in Journal of Aesthetics & Art Criticism of 1991. Goodman says that it is about how one looks at an original and a forged art depends on the way

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    According to Marcuse

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    Phil 177 1) According to Marcuse: “Art cannot change the world but it can contribute to changing consciousness and drives the men and women who could change the world.” Following Marcuse’s argument‚ how does art accomplish the primary task of raising human consciousness against the reified world of commodities? We live in a world where the masses are lead by an elitist class; in a world where the masses wake up every day and go to work for 8 to 10 hours straight‚ so that at the end of every

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    the idea of taste‚ an aesthetic concept. He theorizes that aesthetics is what creates class-based social groups and distances one class away from another. He emphasizes that it is the social origin‚ more than economic capital that produces aesthetic preferences. He elaborates that people are born into the already established cultural atmosphere and acquires a basic sense of taste at an early age; this marks the defining moment of their establishment of taste as an aesthetic concept. From then on

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    Introduction………………………………………………………………………………………………………………..5 1. How are Aesthetic Preferences Formed………………………………………………………………………….……………6 1. Previous Experience…………………………………………………………………………………………….……………..6 2. Physiological Feelings and Threat Perception……..……………………………………………………….………..6 3. Evolution…………………………………………………………………………………………………………………….…….7 4. Processing…………………………………………………………………………………………………………………….…..7 2. Aesthetic Preferences………………………………….…………………………………………………………………….………8 1.

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