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    Pirates of the Caribbean VS. Elein Kleine Nachtmusik The Pirates of the Caribbean theme song was written by Hans Zimmer and is widely known by most people‚ similarly to Mozart’s Elein kleine Nachtmusik. Pirates of the Caribbean is a very well-produced movie‚ therefore it has a very complex theme song. Even though Mozart has many instruments and different variety of music characteristics‚ he is able to balance different characteristics. Their characteristics range from their meter‚ melody‚ rhythm

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    Review 2

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    was impressed at the pureness and the strength of the choir. They started with an old syncopated composition called “American folk Rhapsody”. The secular piece had an upbeat rhythm and was voiced with SAB parts accompanied by a piano. Written in the key of F the composition was sung and played in a major mode. On this piece the choir blended very nicely except for a few spots here and there. Overall the ensemble seemed to really enjoy singing this music. After presenting to the audience their first

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    Frederic Chopin (1810-1849) creates a complex work that consists of complicated harmonies and rhythmic motives. These two components are interwoven to build elaborate themes which lead to a melodic design that Chopin is known for. The piece has multiple key elements that combine to form this expressive work for piano‚ such as thematic growth. Various themes are introduced in the work and as Chopin develops them‚ they are barely recognizable. Other important elements in the creation of the nocturne are

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    Studycase

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    Chapter I Introduction The research is conducted intend to know what kind of job Business English Student of Assumption University prefers to do after their graduation. The problem under the topic is do they know exactly what kind of job they want to do when they have graduated from Assumption University. This study aims to discover the average of each career that Business English at Assumption University want to do when they graduated. There are the seven research and objective questions that

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    "fugue- a contrapuntal composition in which a short melody or phrase (the subject) is introduced by one part and successively taken up by others and developed by interweaving the parts. (Sagan 18)" The word fugue seems out of place in an astronomy book. The use of the word quickly makes sense when you realize Carl Sagan is talking about the way Earth’s short melody fits into the Milky Way’s composition. The word heads off the music theme for the section. The section begins with pondering of other

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    a triplet rhythm. The volume is softer in this section and the articulations are softer and more connected than the original theme. In this variation there are hints to the major key but it does not fully transition. For the second variation the dynamic returns to forte and the articulation is tonged‚ but not heavy. Key notes from the original theme have more value to indicate the first theme between the scale and arpeggio variations. The piece ends with a final recapitulation from the piano and

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    themes and using these to create different sections through augmentation and fragmentation etc. Also melodies became more flamboyant with composers adding in more chromatic lines to their melodies. Brahms is a composer in which melody is not the key focus‚ but still does in fact use it to his advantage. As a romantic composer Brahms definitely uses the features of the romantic era in his music‚ for example‚ the augmentation of motifs. This happens regularly throughout the piece but specifically

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    Scarlatti Sonata

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    Domenico Scarlatti (1685-1757) was an Italian composer who was born in Naples‚ Italy‚ in 1685‚ the same year as Johan Sebastian Bach and George Handel‚ and spent much of his life in Spain and Portugal as music master to the princess Maria Barbara who later became Queen of Spain. The Scarlatti’s Sonatas Form and Tonal structure In the works of Scarlatti there are no sonatas that may be considered completely typical. Generally there is a single movement in binary form with both a varied and expressive

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    Anna Diers MUS 242 Dr. Lynn Little 08 November 2013 Bach’s Fugue in G Minor‚ WTC Book I 1. Bach was a piano teacher‚ and often approached his music as a teaching tool. To display how easily moving from one key to the next could be‚ he utilized the Well Tempered Clavier and the book can often be thought of from this standpoint. According to Sigland Bruhn‚ “ It aims to help you‚ its reader‚ achieve a creative understanding and interpretation of Bach’s preludes and fugues by encouraging you to

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    Manha De Carnival

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    Name Instructor Course Date Music Assignment: Manha De Carnival Introduction Musical pieces contain specific elements regardless of genre and style. The two most important elements in any musical piece are Variety and Unity‚ and they apply to every musical composition. Unity in music is basically the togetherness expressed in the theme of the music‚ while variety as an element suggests different components and factors (Paynter‚ 12). They may seem to be contradictory in nature‚ but both co-exist

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