Literature The nature of drama Drama utilizes plot and characters‚ develops a theme‚ arouses emotion or appeals to humor. It may be escapist or interpretive. Much drama is poetry. But drama has one characteristic‚ it is written primarily to be performed‚ not read. It presents its actions through actors‚ on a stage‚ and before an audience. Of the four major points of view open for a fiction writer‚ dramatists are limited to one- the objective‚ or dramatic. Dramatists cannot enter the
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1. Types of Drama a. Comedy When we talk about comedy‚ we usually refer to plays that are light in tone‚ and that typically have happy endings. The intent of a comedic play is to make the audience laugh. In modern theater‚ there are many different styles of comedy‚ ranging from realistic stories‚ where the humor is derived from real-life situations‚ to outrageous slapstick humor. Is designed to be entertaining and humorous where misfortune ends in triumph or happiness. It presents characters
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That is it. That was Drama 10. The four unit “fundamentals of movement‚ speech‚ theatre games‚ and improvisation” course‚ has come to an end. I must say that this class truly flew by at the speed of light. One day we are learning about improvisation and the next day we are performing our final scripted scenes. Although this may be true‚ I have been‚ through my time in this class‚ thrown into a pool full of theatre knowledge; including the terms‚ phrases‚ and an opportunity to witness a full theatre
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The Vocabulary of Drama Subgenres of types Comedy Tragedy Tragicomedy Closet Cycle Miracle Morality Thematic Aspects Deus ex machine Dramatic irony Tragic flaw or hermartia Unities Speeches Monologue Dialogue Soliloquy Asides Chorus Physical/Technical Aspects Props Conventions Stage Directions Other Terms In medias res A term for Horace‚ literally meaning “in the midst of things.” It is applied to the literary technique of opening a story in the middle of the action and
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The China Incident As a contemporary Australian Drama‚ The China Incident‚ directed by Daniel Evans and performed at The Cremorne Theatre on the 13th of February‚ 2013‚ replicates modern day realities in a humorous demeanour. The play‚ driven by success‚ fear and family‚ explores modern day issues in which it is told that success is deemed to be important in society‚ and a person is either successful with their family or in their career. The China Incident successfully communicates these themes
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Q 1.Discuss the plot of Dr.Faustus The Tragical History of the Life and Death of Doctor Faustus‚ commonly referred to simply as Doctor Faustus‚ is a play byChristopher Marlowe‚ based on the German story Faust‚ in which a man sells his soul to the devil for power and knowledge.Doctor Faustus‚ a well-respected German scholar‚ grows dissatisfied with the limits of traditional forms of knowledge—logic‚ medicine‚ law‚ and religion—and decides that he wants to learn to practice magic. He begins his new
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------------------------------------------------- DRAMA Origin of Greek tragedy and comedy Drama‚ in the western world‚ begins with ancient Greece‚ where the two major forms of drama ……….. tragedy and comedy ………..were an aspect of religious ritual. Greek tragedy is believed to have begun in the sixth century B.C. with Thespis who introduced the first actor on the stage. The first dramatic dialogue lies in the conversation of this actor with leader of the satiric chorus. The dramatic element
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Medieval Drama Jugglers‚ folk- plays‚ pageants: The beginning of the Middle Ages started by the fall of the Roman Empire. The corrupt Roman drama had come to an end‚ and the actors became some disreputable jugglers and inferior minstrels who wandered all over the country. The performances of these social outcasts were crude and immoral. However‚ they continued for centuries‚ because they were the only source for dramatic spectacle. Other sources of amusement too can be found in the country
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Characteristics of Elizabethan Drama From Elizabethan Drama. Janet Spens. London: Metheun & Co. Of the three types of plays recognized in the Shakespeare First Folio -- Comedies‚ Histories‚ and Tragedies -- the last has been the most discussed annd is clearest in outline. 1. Tragedy must end in some tremendous catastrophe involving in Elizabethan practice the death of the principal character. 2. The catastrophe must not be the result of mere accident‚ but must be brought about by some essential
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Jacobean drama (that is‚ the drama of the age of James 1-1603-1625) was a decadent form of the drama of Shakespeare and his contemporaries. The Elizabethan age was the golden age of English drama. But with the turn of the century the drama in England also took a turn. It does not mean that there were no dramatists left. There certainly was a large number of them‚ but none of them could come anywhere near Shakespeare. Just as after Chaucer poetry in England suffered a decline‚ similarly after Shakespeare
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